La bibliographie contient des références pertinentes aux colloques présents et passés. Vous pouvez les trier par colloque, ou par auteur. Cette page est constamment mise à jour par Noga Arikha et Gloria Origgi
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Adolphs, R.
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Adolphs, R. (2003). "Cognitive neuroscience of human social behaviour". Nat. Rev. Neurosci, 4(3): 165-178.
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Alberti , L. B. (ed. C. Grayson)
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Alberti , L. B. (ed. C. Grayson) (1973). Della Pittura, in Opere volgari.
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Armenini, G. B. (ed. M. Gorreri)
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Armenini, G. B. (ed. M. Gorreri) (1586/1988). De’ i veri precetti della Pittura.
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Armstrong, John
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Armstrong, John (2000). Move Closer: An Intimate Philosophy of Art. New York: Farrar, Straus and Giroux
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Arnheim, Rudolf
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Arnheim, Rudolf (1954). Art and Visual Perception. Berkeley: University of California Press
Un classique de la psychologie de l'art.
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AUTIÉ, Dominique
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AUTIÉ, Dominique (2000). De la page à l'écran : réflexions et stratégies devant l'évolution de l'écrit sur les nouveaux supports de l'information. Montréal: ELAEIS
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Auvray M. & O'Regan J.K.,
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Auvray M. & O'Regan J.K., ((in press)). L'influence des facteurs sémantiques sur la cécité aux changements progressifs dans les scènes visuelles. Année Psychologique.
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Ayer, A. J.
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Ayer, A. J. (1973). The Central Questions of Philosophy. New York: Holt, Rinehart, Winston
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Baars B.,
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Baars B., ((1988)). A Cognitive Theory of Consciousness.
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Bach-y-Rita Rita P.,
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Bach-y-Rita Rita P., ((1967)). Sensory plasticity. Applications to a vision substitution system.. Acta Neurologica Scandinavia, 43(4), 417-426.
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BALPE Jean-Pierre et le groupe @graphe
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BALPE Jean-Pierre et le groupe @graphe Trajectoires.
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Barrocchi, P. (ed.)
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Barrocchi, P. (ed.) (1973). Trattati d’arte del Cinquecento.
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Baxandall, Michael
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Baxandall, Michael (1995). Shadows and Enlightenment. New Haven & London: Yale University Press
Analyse historique, philosophique et scientifique des ombres et du rôle joué par celles-ci dans notre expérience visuelle, en particulier dans la philosophie et l'art du dix-huitième siècle.
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Bekoff, M.
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Bekoff, M. (1994). But is it research? What price interdisciplinary interests. Biology and Philosophy 9: 249-251.
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Ben-David, Joseph
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Ben-David, Joseph (1971). The scientist’s role in society. Englewood Cliffs
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Benzon, William
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Benzon, William (2001). Beethoven's Anvil: Music in Mind and Culture. New York: Basic Books
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BIRKERTS, Sven
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BIRKERTS, Sven (1994). The Gutenberg Elegies. The Fate of Reading in an Electronic Age. Boston: Faber and Faber
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Block N.,
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Block N., ((1995)). On a confusion about a function of consciousness,. Behavioral and Brain Sciences, 18 (2), 227-247..
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Bloom, Howard
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Bloom, Howard (2000). Global Brain: the Evolution of Mass Mind from the Big Bang to the 21st Century.. United States: John Wiley & Sons, Inc.
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BLUMENBERG, Hans
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BLUMENBERG, Hans (1984 (1979)). Naufrage avec spectateur. Paradigme d’une métaphore de l’existence. Paris: L’Arche éditeur
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Boix Mansilla, V., Gardner, H., & Miller, W.
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Boix Mansilla, V., Gardner, H., & Miller, W. (1999). On disciplinary lenses and interdisciplinary work. In: P. Grossman & S. Wineburg (Eds.). Disciplinary Encounters. New York: Teachers College Press.
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Bompas A & O’Regan J.K.,
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Bompas A & O’Regan J.K., ((2003)). A Sensorimotor Approach of Color Perception. (Abstract),. Perception, (supplement)..
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Bompas A., Clark J., O'Regan J.K.,
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Bompas A., Clark J., O'Regan J.K., ((2002)). Color Perception in the Sensorimotor Contingency Theory. (Abstract),. Perception (supplement)..
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Borillo, M.; Goulette, J.P.
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Borillo, M.; Goulette, J.P. (2002). Cognition et création : explorations cognitives des processus de conception. Bruxelles: Pierre Mardaga
Sont abordées des questions comme
l'analyse et la description des processus de conception, par exemple dans le cas de l'architecture, de la musique et de la danse.
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Botvinick M. & Cohen J.,
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Botvinick M. & Cohen J., ((1998)). Rubber hands 'feel' touch that eyes see [letter],. Nature, 391(6669), 756..
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BRANDENBOURGER Anne-Cécile
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BRANDENBOURGER Anne-Cécile (2000). Apparitions inquiétantes. Éditions 00h00
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Broackes J.,
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Bronzino, A. (ed. F. Petrucci Nardelli)
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Bronzino, A. (ed. F. Petrucci Nardelli) (1988). Rime in Burla.
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Budd, Malcolm
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Budd, Malcolm (1985). Music and the Emotions. London: Routledge
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Bullot, Nicolas J., Ludwig, Pascal (Advisory Editors) Smith, Barry (Editor)
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Bullot, Nicolas J., Ludwig, Pascal (Advisory Editors) Smith, Barry (Editor) (2003). The Monist 'Art and the Mind'. Peru, Illinois: The Hegeler Institute
Table du contenu
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CAMUS Renaud
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CAMUS Renaud Vaisseaux brûlés.
Renaud Camus
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Casati, Roberto
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Casati, Roberto (2003). The Discovery of the Shadow: The History of an Enigma That Has Fascinated Humanity's Greatest Thinkers from Plato to Galileo. London, New York: Little, Brown; Knopf
page Web personnelle de Roberto Casati
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Catarino, Ambrogio
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Catarino, Ambrogio (1552). De cultu et adoratione imaginum.
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Cavanagh, P., Labianca, A.T., Thornton, I.M.
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Cavanagh, P., Labianca, A.T., Thornton, I.M. (2001, 80, 179-213). Attention-based visual routines. Cognition.
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Cellini, B. (ed. B. Maier)
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Cellini, B. (ed. B. Maier) (1968). Sopra i principi e’l modo d’imparare l’arte del disegno, Opere.
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CHARLES, Michel
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CHARLES, Michel (1995). Introduction à l’étude des textes. Paris: Seuil
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CHARTIER, Roger
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CHARTIER, Roger (1997). Le livre en révolutions. Paris: Textuel
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Chubin, Daryl E.
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Chubin, Daryl E. (1976). The Conceptualization of Scientific Specialties. Sociological Quarterly 17: 448-476.
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CLÉMENT, Jean
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CLÉMENT, Jean (1995). Du texte à l’hypertexte, vers une épistémologie de la discursivité hypertextuelle. Hypertextes et Hypermédias p.263-274. Paris: Hermès
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Condivi, A. (ed. E. Spina Barelli)
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Condivi, A. (ed. E. Spina Barelli) (1964). Vita di Michelangelo Buonarroti.
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COULON François
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COULON François (1997). 20% d'amour en plus. Kaona
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Dahlberg, Ingetraut
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Dahlberg, Ingetraut (1994). Domain Interaction: Theory and Practice. Advances in Knowledge Organization, 4: 60-71.
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DANIELEWSKI, Mark Z
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DANIELEWSKI, Mark Z (2002). La Maison des feuilles. Paris: Denoël
Collections " Et d’ailleurs »
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Danto, Arthur
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Danto, Arthur (1981). The Transfiguration of Commonplace. Cambridge, Mass.: Harvard University Press
Une analyse de l'art comme métaphore du sens commun qui aboutit à une définition de la notion même d'oeuvre d'art.
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Davies, Stephen
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Davies, Stephen (1987). Authenticity in Musical Performance. British Journal of Aesthetics.
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De BOUTINY Lucie
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De BOUTINY Lucie NON-roman.
NON-roman de Lucie de Boutiny
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Defila R. and Di Giulio. A.
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Defila R. and Di Giulio. A. (1999). Evaluating Transdisciplinary Research. Newsletter of the Swiss Priority Program Environment, Swiss National Science Foundation.
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Dennett D.,
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Dennett D., ((1978)). Brainstorms: Philosophical Essays on Mind and Psychology,.
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DUFOUR Frank, CHIFFOT Jacky, ARMANETTI Gilles
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DUFOUR Frank, CHIFFOT Jacky, ARMANETTI Gilles (1997). Sale Temps. Microfolie's
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Dutton, Denis
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Dutton, Denis (1965, 4). Artistic Crimes. British Journal of Aesthetics.
Une analyse du rôle de la performance dans l'évaluation des faux en art.
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DYENS, Ollivier
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DYENS, Ollivier (2002). La texture de la nouvelle connaissance. éc/arts, n° 2 p. 275-279.
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Epton, S. R., R. L. Payne, and A. W. Pearson (eds)
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Epton, S. R., R. L. Payne, and A. W. Pearson (eds) (1983). Managing interdisciplinary research. Chichester: John Wiley & Sons
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Farne A. & Ladavas E.,
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Ferrari, P.F.; Gallese, V.; Rizzolati, G.; Fogassi, L. (2003). Mirror neurons responding to the observation of ingestive and communicative mouth actions in the monkey ventral premotor cortex. European Journal of Neuroscience, 16: 114-126.
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FISH, Stanley
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FISH, Stanley (1982). Is There a Text in this Class?. Cambridge: Harvard U. P.
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Franck, P.
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Franck, P. (1949). Modern Science and its Philosophy. New York: Collier Books
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Freedberg, David
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Freedberg, David (1989). The Power of Images. Chicago: The University of Chicago Press
Un livre sur la réponse à l'image visuelle. Selon Freedberg on ne peut rendre justice aux images qu'en prenant en considération toutes les réactions humaines.
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Fuller, S.
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Fuller, S. (2000). Thomas Kuhn. A Philosophical History of our Times. Chicago: University of Chicago Press
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Fuller, S.; Collier, J.
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Fuller, S.; Collier, J. (1993/2003). Philosophy, Rhetoric and the End of Knowledge.. Hillsdale: Lawrence Erlbaum
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Fuller, Steve
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Fuller, Steve (1988). Social Epistemology. Bloomington: Indiana University Press
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Galison, P., Stump, D. J. (eds)
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Galison, P., Stump, D. J. (eds) (1996). The Disunity of Science. Boundaries, Contexts, and Power. Stanford: Stanford University Press
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Gallese, V.
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Gallese, V. (in press). "The acting subject: Towards the neural basis of social cognition.". in T. Metzinger (ed.) Neural Correlates of Consciousness. Empirical and Conceptual Questions.
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Gardner, H.
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Gardner, H. (1999). The Disciplined Mind: What All Students Should Understand. New York: Simon & Schuster.
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Gibbons, Michael, Limoges, Camille, Nowotny, Helga et al
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Gibbons, Michael, Limoges, Camille, Nowotny, Helga et al (1994). The New Production of Knowledge. London: Sage Publications
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Gläser, Jochen (2000). Limits of change: cognitive constraints on. Social Science Information 39: 439-465..
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Godin, Benoit
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Goguen, Joseph, ed.
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Goguen, Joseph, ed. (1999). Art and the Brain. Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 6, June-July 1999. Tucson: Imprint Academic
Volume entièrement consacré à "art et cerveau", avec des articles de V. S. Ramachandran and William Hirstein, Richard Gregory, Jaron Lanier, Bernard Baars, Partha Mitter, Semir Zeki, Nicholas Humphrey, parmi d'autres.
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Gökalp, Iskender
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Gökalp, Iskender (1990). The interrelating of scientific domains. The case of turbulence and combustion. Studies in History and Philosophy of Science.
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Gombrich. E. H.
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Gombrich. E. H. (1977). Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon
Etude fondamentale dans le domaine de la psychologie de l'art; première de nombreuses éditions en 1961.
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Goodman, Nelson
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Goodman, Nelson (1976). Languages of Art: An Approach to a Theory of Symbols. Indianapolis & Cambridge, Mass.: Hackett Publishing Company
Un classique de la philosophie de l'esthétique du XXème siècle.
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JACKSON Shelley, PATCHWORK Girl
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JACKSON Shelley, PATCHWORK Girl Eastgate.
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Johann Götschl
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Johann Götschl (2001). Transdisciplinarity: Dynamic interrelations between disciplinarity, interdisciplinarity and transdisciplinarity. in: E. Mariani (ed.). Unity of Knowing and Doing: A Transdisciplinary Solution.
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JOYCE Michael
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JOYCE Michael Afternoon a story.
Eastgate
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Kant, Immanuel (Norman Kemp Smith, trans.)
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Kant, Immanuel (Norman Kemp Smith, trans.) (1781/1987-1929). Critique of Pure Reason. London: Macmillan
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Kelly, Kevin
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Kelly, Kevin (1999). New Rules for the New Economy: 10 Radical Strategies for a Connected World. Penguin Books
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Kerckhove, Derrick de (1997). Connected Intelligence: The Arrival of the Web Society. Somerville House Books
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Klein, J.T. (2003). Bridging Research and Social Interest: The Challenges of Evaluation in Transdisciplinary Projects and Public Policy. Unpublished text of Inaugural Address for UNESCO Summer School on Transdisciplinarity and Local Development and Governance. Punta del Este, Uruguay. 28 October..
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Klein, Julie Thompson
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Klein, Julie Thompson (1990). Interdisciplinarity: History, theory, and practice. Detroit: Wayne State University Press
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Klein, Naomi
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Klein, Naomi (2000). No Logo: Taking Aim at the Brand Bullies. Toronto: Vintage Canada Edition
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Klein. J. & al. (eds) (2000). Transdisciplinarity: Joint Problem Solving among Science, Technology, and Society Society. Basel: Birkhäuser
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Kline, Stephen Jay
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Nicolescu, Basarab
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Nicolescu, Basarab (1996). La transdisciplinarité : manifeste. Monaco: Le Rocher
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CIRET
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Noë, Alva
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Noë, Alva (forthcoming). Action in Perception. Cambridge, MA: MIT Press
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Noë, Alva & Thompson, Evan (eds.) Vision and Mind: Selected Readings in the Philosophy of Perception. Cambridge, MA: MIT Press
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lien à l'article
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Ramachandran, VS ; Hirstein, W.
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Ramachandran, VS ; Hirstein, W. (1999). The Science of Art. Journal of Consciousness Studies, vol. 6.
Une théorie de l'expérience artistique humaine et des méchanismes neuronaux qui en sont les médiateurs.
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