Ordered by conference | Reorder by author
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Art and Cognition
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Alberti , L. B. (ed. C. Grayson) (1973). Della Pittura, in Opere volgari.
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Armenini, G. B. (ed. M. Gorreri) (1586/1988). De’ i veri precetti della Pittura.
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Armstrong, John (2000). Move Closer: An Intimate Philosophy of Art. New York: Farrar, Straus and Giroux
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Arnheim, Rudolf (1954). Art and Visual Perception. Berkeley: University of California Press
A classic in the psychology of art.
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Ayer, A. J. (1973). The Central Questions of Philosophy. New York: Holt, Rinehart, Winston
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Barrocchi, P. (ed.) (1973). Trattati d’arte del Cinquecento.
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Baxandall, Michael (1995). Shadows and Enlightenment. New Haven & London: Yale University Press
A historically, philosophically and scientifically informed discussion of shadows and the part they play in our visual experience, particularly in eighteenth-century philosophy and art.
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Benzon, William (2001). Beethoven's Anvil: Music in Mind and Culture. New York: Basic Books
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Borillo, M.; Goulette, J.P. (2002). Cognition et création : explorations cognitives des processus de conception. Bruxelles: Pierre Mardaga
A collective book on the processes involved in the conception of works of art, in architecture, music and dance.
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Bronzino, A. (ed. F. Petrucci Nardelli) (1988). Rime in Burla.
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Budd, Malcolm (1985). Music and the Emotions. London: Routledge
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Budd, Malcolm (1989). Music and the Communication of Emotion. Journal of Aesthetics and Art Criticism, Vol. 47, 2 (Spring, 1989). The American Society for Aesthetics
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Casati, Roberto (2003). The Discovery of the Shadow: The History of an Enigma That Has Fascinated Humanity's Greatest Thinkers from Plato to Galileo. London, New York: Little, Brown; Knopf
Roberto Casati's homepage
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Catarino, Ambrogio (1552). De cultu et adoratione imaginum.
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Cavanagh, P., Labianca, A.T., Thornton, I.M. (2001, 80, 179-213). Attention-based visual routines. Cognition.
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Cellini, B. (ed. B. Maier) (1968). Sopra i principi e’l modo d’imparare l’arte del disegno, Opere.
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Condivi, A. (ed. E. Spina Barelli) (1964). Vita di Michelangelo Buonarroti.
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Danto, Arthur (1981). The Transfiguration of Commonplace. Cambridge, Mass.: Harvard University Press
By analysing art as a metaphor of the commonplace, Danto proposes a definition of the notion of "work of art".
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Freedberg, David (1989). The Power of Images. Chicago: The University of Chicago Press
A book on the response to visual imagery. According to Freedberg's provocative thesis, one cannot do justice to the images of art unless one recognizes in them the entire range of human responses.
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Gibbons, Michael, Limoges, Camille, Nowotny, Helga et al (1994). The New Production of Knowledge. London: Sage Publications
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Goguen, Joseph, ed. (1999). Art and the Brain. Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 6, June-July 1999. Tucson: Imprint Academic
Volume dedicated to "art and the brain", with articles by V. S. Ramachandran and William Hirstein, Richard Gregory, Jaron Lanier, Bernard Baars, Partha Mitter, Semir Zeki, Nicholas Humphrey among others.
Journal of Consciousness Studies: special feature on art and the brain
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Gombrich. E. H. (1977). Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon
A milestone in the study of the psychology of art; the first of many editions came out in 1961.
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Goodman, Nelson (1976). Languages of Art: An Approach to a Theory of Symbols. Indianapolis & Cambridge, Mass.: Hackett Publishing Company
One of the twentieth century's major works in philosophical aesthetics.
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Grice, H. P. (1962). Analytic Philosophy, first series; reprinted in Noë & Thompson. Oxford: Blackwell
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Hayes, A. & Ross, J., in Gregory, R., Harris, J., Heard, P., Rose, D. (eds.) (1995). The Artful Eye. New York: Oxford University Press
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Hoffman, Donald D. (1998). Visual Intelligence: How we create what we see. New York - London: W. W. Norton
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Hope, C. (ed. P. Taylor, F. Quiviger) (2000). Composition from Cennini and Alberti to Vasari. Pictorial Composition from Medieval to Modern Art.
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Hume, David (1740/1978). A Treatise of Human Nature. Oxford & New York: Clarendon Press
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Humphreys, G.W. et al. (1998). Attention, Space and Action. Oxford: Oxford University Press
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Kant, Immanuel (Norman Kemp Smith, trans.) (1781/1987-1929). Critique of Pure Reason. London: Macmillan
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Kohler, Ivo (1951). Österreichische Akademie der Wissenschaften. Sitzungsberichte, philosophish-historische Klasse, 227, 1-118.
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Kornell, M. (1992). Artists and the Study of Anatomy.
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Leonardo da Vinci (ed. Richter, J. P.) (1939). The literary works of Leonardo da Vinci compiled and edited from the original manuscripts.
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Lomazzo, G. P. (ed. P. Ciardi) (1973). Trattato dell’arte della pittura, scoltura e architettura, in Scritti d’arte.
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Mach, Ernst (C. M. Williams, trans.) (1886/1959). The Analysis of Sensation. New York: Dover
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Marr, David (1982). Vision. New York: W. H. Freeman and Sons
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Noë, Alva (forthcoming). Action in Perception. Cambridge, MA: MIT Press
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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Noë, Alva & Thompson, Evan (eds.) Vision and Mind: Selected Readings in the Philosophy of Perception. Cambridge, MA: MIT Press
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Pino, P. (ed. E. Camesasca) (1954). Dialogo di pittura.
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Pozzi, Giovanni & Leonardi, Claudio, ed. (1988). Scrittrici mistiche italiane.
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Price Williams, D. R. (1957). Proprioception and Personal Identity. Philosophy and Phenomenological Research, 17, 1957, pp. 536-545.
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Pylyshyn, Zenon (2001, 80, 127-158). Visual indexes, preconceptual objects and situated vision. Cognition.
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Ramachandran, V. S.; Hubbard, E.M. (2001). Synaesthesia - A Window Into Perception, Thought and Language. Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 8, No. 12, 2001. Tucson: Imprint Academic
link to article
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Ramachandran, VS ; Hirstein, W. (1999). The Science of Art. Journal of Consciousness Studies, vol. 6.
A theory of human artistic experience and the neural mechanisms that mediate it.
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Schilder, P (1950). The image and appearance of the human body: studies in the constructive energies of the psyche.
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Schmidt, , R. F., ed. (1986). Fundamentals of sensory physiology.
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Schutte, A. J. (1983). Printed Italian vernacular religious books 1465-1550: a finding list.
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Stalling-Taney, M. (1965). Meditaciones de passione Christi olim sancto Bonaventura attributae.
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Tyler, Christopher W. (1999). Is Art Lawful? (Commentary on Ramachandran and Hirstein, 1999). Perspectives: Neuroscience. Science. 285:673-4 (1999).
link to article
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Vasari (ed. R. Bettarini, P. Barocchi) (1976). Le vite de’ più eccellenti pittori, scultori e architettori nelle redazioni del 1550 e 1568.
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Wolpert, D. M., Ghahramani, Z., Jordan, M. I. (1995). An Internal Model for Sensorimotor Integration. Science, New Series, v. 269, Issue 5232, 1995, pp. 1880-1882.
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Art and Cognition Workshops
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Armstrong, John (2000). Move Closer: An Intimate Philosophy of Art. New York: Farrar, Straus and Giroux
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Arnheim, Rudolf (1954). Art and Visual Perception. Berkeley: University of California Press
A classic in the psychology of art.
|
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Ayer, A. J. (1973). The Central Questions of Philosophy. New York: Holt, Rinehart, Winston
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Budd, Malcolm (1985). Music and the Emotions. London: Routledge
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Budd, Malcolm (1989). Music and the Communication of Emotion. Journal of Aesthetics and Art Criticism, Vol. 47, 2 (Spring, 1989). The American Society for Aesthetics
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Bullot, Nicolas J., Ludwig, Pascal (Advisory Editors) Smith, Barry (Editor) (2003). The Monist 'Art and the Mind'. Peru, Illinois: The Hegeler Institute
Table of Content
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Casati, Roberto (2003). The Discovery of the Shadow: The History of an Enigma That Has Fascinated Humanity's Greatest Thinkers from Plato to Galileo. London, New York: Little, Brown; Knopf
Roberto Casati's homepage
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Cavanagh, P., Labianca, A.T., Thornton, I.M. (2001, 80, 179-213). Attention-based visual routines. Cognition.
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Danto, Arthur (1981). The Transfiguration of Commonplace. Cambridge, Mass.: Harvard University Press
By analysing art as a metaphor of the commonplace, Danto proposes a definition of the notion of "work of art".
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Davies, Stephen (1987). Authenticity in Musical Performance. British Journal of Aesthetics.
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Dutton, Denis (1965, 4). Artistic Crimes. British Journal of Aesthetics.
An analysis of the role of performance in the evaluation of forgeries.
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Freedberg, David (1989). The Power of Images. Chicago: The University of Chicago Press
A book on the response to visual imagery. According to Freedberg's provocative thesis, one cannot do justice to the images of art unless one recognizes in them the entire range of human responses.
|
| |
Goguen, Joseph, ed. (1999). Art and the Brain. Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 6, June-July 1999. Tucson: Imprint Academic
Volume dedicated to "art and the brain", with articles by V. S. Ramachandran and William Hirstein, Richard Gregory, Jaron Lanier, Bernard Baars, Partha Mitter, Semir Zeki, Nicholas Humphrey among others.
Journal of Consciousness Studies: special feature on art and the brain
|
| |
Gombrich. E. H. (1977). Art and Illusion: A Study in the Psychology of Pictorial Representation. London: Phaidon
A milestone in the study of the psychology of art; the first of many editions came out in 1961.
|
| |
Goodman, Nelson (1976). Languages of Art: An Approach to a Theory of Symbols. Indianapolis & Cambridge, Mass.: Hackett Publishing Company
One of the twentieth century's major works in philosophical aesthetics.
|
| |
Gregory R., ((1990)). How do we interpret images?. In H.Barlow et al. (Eds.), Images and Understanding (pp. 310-330),.
|
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Grice, H. P. (1962). Analytic Philosophy, first series; reprinted in Noë & Thompson. Oxford: Blackwell
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Hayes, A. & Ross, J., in Gregory, R., Harris, J., Heard, P., Rose, D. (eds.) (1995). The Artful Eye. New York: Oxford University Press
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Hecht, H., Schwartz, R., Atherton, M. (ed.) (2003). Looking into Pictures. Cambridge, MA: MIT Press
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Hoffman, Donald D. (1998). Visual Intelligence: How we create what we see. New York - London: W. W. Norton
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Hope, C. (ed. P. Taylor, F. Quiviger) (2000). Composition from Cennini and Alberti to Vasari. Pictorial Composition from Medieval to Modern Art.
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Hume, David (1740/1978). A Treatise of Human Nature. Oxford & New York: Clarendon Press
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| |
Humphreys, G.W. et al. (1998). Attention, Space and Action. Oxford: Oxford University Press
|
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Kant, Immanuel (Norman Kemp Smith, trans.) (1781/1987-1929). Critique of Pure Reason. London: Macmillan
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Kohler, Ivo (1951). Österreichische Akademie der Wissenschaften. Sitzungsberichte, philosophish-historische Klasse, 227, 1-118.
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| |
Mach, Ernst (C. M. Williams, trans.) (1886/1959). The Analysis of Sensation. New York: Dover
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Marr, David (1982). Vision. New York: W. H. Freeman and Sons
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Neill, A.; Ridley, A. (1995). Arguing About Art. New York: Routledge
An anthology on aesthetics and philosophy of art with a section on the problem of authenticity.
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Neill, A.; Ridley, A. (1995). Arguing About Art. New York: Routledge
An anthology on aesthetics and philosophy of art with a section on the problem of authenticity.
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Neill, A.; Ridley, A. (1995). Arguing About Art. New York: Routledge
An anthology on aesthetics and philosophy of art with a section on the problem of authenticity.
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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| |
Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
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| |
Noë, Alva (2001). Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 7, No. 8-9.
|
| |
Noë, Alva (forthcoming). Action in Perception. Cambridge, MA: MIT Press
|
| |
Noë, Alva & Thompson, Evan (eds.) Vision and Mind: Selected Readings in the Philosophy of Perception. Cambridge, MA: MIT Press
|
| |
Price Williams, D. R. (1957). Proprioception and Personal Identity. Philosophy and Phenomenological Research, 17, 1957, pp. 536-545.
|
| |
Pylyshyn, Zenon (2001, 80, 127-158). Visual indexes, preconceptual objects and situated vision. Cognition.
|
| |
Ramachandran, V. S.; Hubbard, E.M. (2001). Synaesthesia - A Window Into Perception, Thought and Language. Journal of Consciousness Studies: Controversies in Science and the Humanities, Vol. 8, No. 12, 2001. Tucson: Imprint Academic
link to article
|
| |
Ramachandran, VS ; Hirstein, W. (1999). The Science of Art. Journal of Consciousness Studies, vol. 6.
A theory of human artistic experience and the neural mechanisms that mediate it.
|
| |
Schilder, P (1950). The image and appearance of the human body: studies in the constructive energies of the psyche.
|
| |
Schmidt, , R. F., ed. (1986). Fundamentals of sensory physiology.
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Tversky, B. ((2001)). Spatial schemas in depictions. In M. Gattis (Ed.), Spatial schemas and abstract thought. Pp. 79-111. Cambridge: MIT Press
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Tversky, B. ((2005)). Functional significance of visuospatial representations. In P. Shah & A. Miyake (Editors.), Handbook of higher-level visuospatial thinking. Cambridge: Cambridge University Press
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Tyler, Christopher W. (1999). Is Art Lawful? (Commentary on Ramachandran and Hirstein, 1999). Perspectives: Neuroscience. Science. 285:673-4 (1999).
link to article
|
| |
Wolpert, D. M., Ghahramani, Z., Jordan, M. I. (1995). An Internal Model for Sensorimotor Integration. Science, New Series, v. 269, Issue 5232, 1995, pp. 1880-1882.
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Enaction
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Auvray M. & O'Regan J.K., ((in press)). L'influence des facteurs sémantiques sur la cécité aux changements progressifs dans les scènes visuelles. Année Psychologique.
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Baars B., ((1988)). A Cognitive Theory of Consciousness.
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Bach-y-Rita Rita P., ((1967)). Sensory plasticity. Applications to a vision substitution system.. Acta Neurologica Scandinavia, 43(4), 417-426.
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Block N., ((1995)). On a confusion about a function of consciousness,. Behavioral and Brain Sciences, 18 (2), 227-247..
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Bompas A & O’Regan J.K., ((2003)). A Sensorimotor Approach of Color Perception. (Abstract),. Perception, (supplement)..
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Bompas A., Clark J., O'Regan J.K., ((2002)). Color Perception in the Sensorimotor Contingency Theory. (Abstract),. Perception (supplement)..
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Botvinick M. & Cohen J., ((1998)). Rubber hands 'feel' touch that eyes see [letter],. Nature, 391(6669), 756..
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Broackes J., ((1992)). The autonomy of colour,. In K. Lennon & D. Charles (Eds.), Reduction, Explanation, and Realism (pp. 421-465),.
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Dennett D., ((1978)). Brainstorms: Philosophical Essays on Mind and Psychology,.
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Dennett D., ((1988)). Quining qualia,. in A. Marcel and E. Bisiach (Eds.) Consciousness in contemporary science,.
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Hume D., ((1777/1975)). Enquiries concerning human understanding and concerning the principles of morals,.
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Hurley S. & Noë A., ((in press)). Neural plasticity and consciousness,. Biology and Philosophy..
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Husserl E., ((1907/1973)). Ding und Raum,. Vorlesungen 1907. Hussserliana 16. Edited by U. Claesges..
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Rethinking Interdisciplinarity
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Bekoff, M. (1994). But is it research? What price interdisciplinary interests. Biology and Philosophy 9: 249-251.
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Ben-David, Joseph (1971). The scientist’s role in society. Englewood Cliffs
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Boix Mansilla, V., Gardner, H., & Miller, W. (1999). On disciplinary lenses and interdisciplinary work. In: P. Grossman & S. Wineburg (Eds.). Disciplinary Encounters. New York: Teachers College Press.
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Chubin, Daryl E. (1976). The Conceptualization of Scientific Specialties. Sociological Quarterly 17: 448-476.
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Dahlberg, Ingetraut (1994). Domain Interaction: Theory and Practice. Advances in Knowledge Organization, 4: 60-71.
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Defila R. and Di Giulio. A. (1999). Evaluating Transdisciplinary Research. Newsletter of the Swiss Priority Program Environment, Swiss National Science Foundation.
online version (English & German)
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Epton, S. R., R. L. Payne, and A. W. Pearson (eds) (1983). Managing interdisciplinary research. Chichester: John Wiley & Sons
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Franck, P. (1949). Modern Science and its Philosophy. New York: Collier Books
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Fuller, S. (2000). The Changing Images of Unity and Disunity in the Philosophy of Science. I. Stamhuis et al. (eds.) The Changing Image of the Sciences. Dordrecht: Kluwer
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Fuller, S. (2003). The University. A social technology for producing universal knowledge. Technology and Society, 25.
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Fuller, S. (2000). Thomas Kuhn. A Philosophical History of our Times. Chicago: University of Chicago Press
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Fuller, S.; Collier, J. (1993/2003). Philosophy, Rhetoric and the End of Knowledge.. Hillsdale: Lawrence Erlbaum
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Fuller, Steve (1988). Social Epistemology. Bloomington: Indiana University Press
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Galison, P., Stump, D. J. (eds) (1996). The Disunity of Science. Boundaries, Contexts, and Power. Stanford: Stanford University Press
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Gardner, H. (1999). The Disciplined Mind: What All Students Should Understand. New York: Simon & Schuster.
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Gibbons, Michael, Limoges, Camille, Nowotny, Helga et al (1994). The New Production of Knowledge. London: Sage Publications
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Gläser, Jochen (2000). Limits of change: cognitive constraints on. Social Science Information 39: 439-465..
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Godin, Benoit (1998). Writing Performative History: The New New Atlantis?. Social Studies of Science 28: 465-483..
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Gökalp, Iskender (1990). The interrelating of scientific domains. The case of turbulence and combustion. Studies in History and Philosophy of Science.
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Gökalp, Iskender (1994). Intellectual cooperation between research and design in engineering sciences. G. Gemelli (Ed.) Big Culture. Intellectual Cooperation in Large Scale Cultural and Technical Systems. Bologna: CLUEB
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Hull, D.L. (2000). The professionalization of science studies: Cutting some slack. Biology and Philosophy 15: 61-91.
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Ingold, T. (1998). From complementarity to obviation: On dissolving the boundaries between social and biological anthropology, archaeology and psychology. Zeitschrift für Ethnologie 123: 2152.
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Johann Götschl (2001). Transdisciplinarity: Dynamic interrelations between disciplinarity, interdisciplinarity and transdisciplinarity. in: E. Mariani (ed.). Unity of Knowing and Doing: A Transdisciplinary Solution.
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Klein, J.T. (2003). Bridging Research and Social Interest: The Challenges of Evaluation in Transdisciplinary Projects and Public Policy. Unpublished text of Inaugural Address for UNESCO Summer School on Transdisciplinarity and Local Development and Governance. Punta del Este, Uruguay. 28 October..
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Klein, J.T. (2003). Checklist for Evaluating Transdisciplinary Projects. “Thinking about Interdisciplinarity,” Colorado School of Mines Quarterly, 103, No 1: 101-114.
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Klein, Julie Thompson (1990). Interdisciplinarity: History, theory, and practice. Detroit: Wayne State University Press
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Klein, Julie Thompson (1996). Crossing Boundaries: Knowledge, Disciplinarities, and Interdisci-plinarities. Charlottesville: University Press of Virginia
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Klein, Julie Thompson (1983). The dialiectic and rhetoric of disciplin- arity and interdisciplinarity. Issues in integrative studies. 2 : 35-74.
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Klein. J. & al. (eds) (2000). Transdisciplinarity: Joint Problem Solving among Science, Technology, and Society Society. Basel: Birkhäuser
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Kline, Stephen Jay (1995). Conceptual foundations for multidisci- plinary thinking. Stanford: Stanford University Press
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Kocklemans, Joseph (1986). Interdisciplinarity and the university: The dream and the reality. Issues in integrative studies. 4: 1- 16.
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Laudel, Grit (2001). Collaboration, creativity and rewards: why and how scientists collaborate. International Journal of Technology Management 22: 762-781.
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Lazenby, J. (2002). Climates of Collaboration.
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Moran, J. (2002). Interdisciplinarity. London: Routledge
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Mucklow, Neale H. (1980). Grounds for grouping the disciplines. Journal of philosophy of education. 14, 2 : 226-237.
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Nicolescu, Basarab (1996). La transdisciplinarité : manifeste. Monaco: Le Rocher
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CIRET
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Nowotny, H., Scott, P., Gibbons M. (2001). Re-Thinking Science. Knowledge and the Public in an Age of Uncertainty. Cambridge: Polity Press
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Polikarov, A. (1995). Concerning the Integration of Sciences: Kinds and Stages’. Journal of General Philosophy of Science, V26, pp 297-312.
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Reisch, G. (2004). From the Life of the Present to the Icy Slopes of Logic. Logical Empiricism, the Unity of Science Movement and the Cold War. Cambridge Companion to Logical Empiricism. Cambridge, UK.: Cambridge University Press
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Rhoten, D. (2003). A Multi-Method Analysis of the Social and Technical Conditions for Interdisciplinary Collaboration. Final Report. National Science Foundation. September..
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Sandra D. Mitchell, Lorraine Daston, Gerd Gigerenzer, Nevin Sesardic and Peter Sloep (1997). The Why's and How's of Interdisciplinarity. In Weingart, P., Mitchel, S. D., Richerson, P. J., & Maasen, S. (eds.). Human by Nature: Between Biology and the Social Sciences, pp. 103-150. Mahwah, NJ.: Erlbaum Press
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Shinn, Terry (1999). Change or Mutation? Reflections on the Foundations of Contemporary Science. Social Science Information 38: 149-176..
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Stehr, N. and P. Weingart (eds) (2000). Practising interdisciplinarity. Toronto: University of Toronto Press
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Stokols, Daniel, et al. (2003). Evaluating Transdisciplinary Science. Nicotine and Tobacco Research, 5:1-19.
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Tress, B. G. Tress, A. Van der Valk, and G. Fry (Eds.) (2003). Interdisciplinary and Transdisciplinary Landscape Studies: Potential and Limitations. Wageningen, Netherlands: DELTA SERIES 2
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Turner, Bryan (1990 (12 : 1-23)). The Interdisciplinary Curriculum: From Social Medicine to Postmodernism. Sociology of Healt and Illness.
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